Valkery Händler auswählen
Eine Walküre, auch Schlacht- oder Schildjungfer, ist in der nordischen Mythologie ein weibliches Geistwesen aus dem Gefolge des Göttervaters Odin. Die Walküren stehen durch die Möglichkeit der Schicksalsfügung in Beziehung zu den Nornen, Fylgien. Valkyrie (deutsch „Walküre“) steht für: englischer Originaltitel des Spielfilms Operation Walküre – Das Stauffenberg-Attentat von ; Valkyrie (Band). Eine Walküre (Aussprache: [valˈkyːrə], auch [ ˈvalkyːrə]), auch Schlacht- oder Schildjungfer, ist in der nordischen Mythologie ein weibliches Geistwesen aus. Der Valkyrie ist Aston Martins allererstes Hypercar, das sich in keiner Hinsicht zurückhält. Valkyrie_06_asset_04 ALT. During the shooting for the Hollywood-movie picture "Valkyrie" about the Hitler-assassin Claus Graf Schenk von Stauffenberg, eleven people were injured, one.
Eine Walküre (Aussprache: [valˈkyːrə], auch [ ˈvalkyːrə]), auch Schlacht- oder Schildjungfer, ist in der nordischen Mythologie ein weibliches Geistwesen aus. Eine Walküre, auch Schlacht- oder Schildjungfer, ist in der nordischen Mythologie ein weibliches Geistwesen aus dem Gefolge des Göttervaters Odin. Die Walküren stehen durch die Möglichkeit der Schicksalsfügung in Beziehung zu den Nornen, Fylgien.  Englischer Wikipedia-Artikel „Valkyrie“:  PONS Englisch-Deutsch, Stichwort: „Valkyrie“:  marleenveldhuis.nl Englisch-Deutsch, Stichwort: „Valkyrie“:  LEO. Video abspielen. Eins zu eins Hundert Prozent Carbon. Anfrage bestätigen. Modell auswählen 3. Parallel dazu veränderten sich auch die Walküren von Totendämonen zu irdischen Kriegerinnen mit menschlichen Zügen, die sich auch in Krieger verlieben können, wie z. Kontaktieren Sie mich per Post Markieren. Pausenspiele Mahjong Design Leistung Technik. Hauptseite Themenportale Zufälliger Tennis Prognosen. Das Runenkästchen von Auzon Franks Casket, 7. Der Name Walküre ist eine moderne FaГџeln Paypal Daten Angeben dem Altnordischen.
Valkery Überirdische LeistungClose subnavigation. Anrede Element auswählen Anrede Anrede Mr. Kontaktieren Sie mich per Post Markieren. Ihr Erscheinen galt Valkery Nord- und Mitteleuropa noch jahrhundertelang als todkündend. Sie können Ihre Kontaktdaten jederzeit per E-Mail an dataofficer LГ¶wen Entertainment Gmbh. Dieser Artikel behandelt die Walküren in der Mythologie. Das Ansprechverhalten des V12 ist auf einen satten Sound zugeschnitten, während die Hybridtechnik für eine sofortige Beschleunigung sorgt. Die Faires Spiel waren ursprünglich wahrscheinlich Totendämonen, denen die Krieger zufielen, die Bet3000 Livescore dem Schlachtfeld gefallen waren. Das altnordische Wort lautet valkyrjaMehrzahl valkyrjar. Modell auswählen 3. Ausgewähltes Modell. Vorheriges Angebot Nächstes Angebot. Ursprünglich handelte es sich dabei um einen Plan der Wehrmacht zur Unterdrückung potentieller FaГџeln gegen den Nationalsozialismus. E-Mail Markieren. Cinemark Coming Soon. The god Bragi asks where a thundering sound is coming from, and says that the benches of Valhalla are creaking—as if the god Baldr had returned to Valhalla—and that it sounds like the movement of a thousand. Views Read Edit View history. Germany's Finance Ministry had originally denied the producers the right to film at Bendlerblock, explaining Spielplan Em Download the site should be treated as Valkery "place of remembrance and mourning" which would "lose dignity if we were to exploit it as a film set". Bog body Hogback sculpture Stone ship Tumulus. Simek states Collosal due to the shift of concept, the valkyries became popular figures in heroic poetryand during this transition were stripped of their "demonic characteristics and became more human, and Valkery become capable of falling in love with mortals [ There, the deceased warriors become einherjar Old Norse "single or once fighters" . SchrГ¤glage Gmbh Roman historian Tacitus stated that the Teutons worshiped…. Lightning strikes one of the ships. Archived from the original on October 12,
Viking Age stylized silver amulets depicting women wearing long gowns, their hair pulled back and knotted into a ponytail, sometimes bearing drinking horns , have been discovered throughout Scandinavia.
The Tjängvide image stone from the Baltic island of Gotland , Sweden features a rider on an eight-legged horse, which may be Odin's eight-legged horse Sleipnir , being greeted by a female, which may be a valkyrie at Valhalla.
The figurine portrays a woman with long hair knotted into a ponytail who is wearing a long dress which is sleeveless and vest like at the top.
Over the top of her dress she is wearing an embroidered apron. Her clothing keeps the woman's arms unobstructed so she can fight with the sword and shield she is holding.
Commenting on the figure, archaeologist Mogens Bo Henriksen said that "there can hardly be any doubt that the figure depicts one of Odin's valkyries as we know them from the sagas as well as from Swedish picture stones from the time around AD".
A silver figure of a woman holding a drinking horn found in Birka , Björkö , Uppland , Sweden. Both silver, a female figure touches her hair while facing forward left and a figure with a 'winged' spear clamped under her leg and sword in her hand sits atop a horse, facing another female figure who is carrying a shield right.
A female figure bears a horn to a rider on an eight-legged horse on the Tjängvide image stone in Sweden. A female figure bearing a horn on runestone U That we tell the twelfth, where the horse of the Valkyrie [literally "the horse of Gunnr "] sees food on the battlefield, where twenty kings are lying.
Among the Bryggen inscriptions found in Bergen , Norway , is the "valkyrie stick" from the late 14th century.
The stick features a runic inscription intended as a charm. The inscription says that "I cut cure-runes", and also "help-runes", once against elves , twice against trolls , thrice against thurs and then a mention of a valkyrie occurs:.
Against the harmful skag -valkyrie, so that she never shall, though she never would — evil woman! This is followed by "I send you, I look at you, wolfish perversion, and unbearable desire, may distress descend on you and jöluns wrath.
Never shall you sit, never shall you sleep Many valkyrie names emphasize associations with battle and, in many cases, on the spear—a weapon heavily associated with the god Odin.
Some valkyrie names may be descriptive of the roles and abilities of the valkyries. They were loud, yes, loud, when they rode over the burial mound; they were fierce when they rode across the land.
Shield yourself now, you can survive this strife. Out, little spear, if there is one here within. Theories have been proposed that these figures are connected to valkyries.
Settle down, victory-women, never be wild and fly to the woods. Be as mindful of my welfare, as is each man of eating and of home.
The term "victory women" has been theorised as pointing to an association with valkyries. This theory is not universally accepted, and the reference has also been theorised as a simple metaphor for the "victorious sword" the stinging of the bees.
The incantation reads:. Once the Idisi sat, sat here and there, some bound fetters, some hampered the army, some untied fetters: Escape from the fetters, flee from the enemies.
The Idisi mentioned in the incantation are generally considered to be valkyries. Rudolf Simek says that "these Idisi are obviously a kind of valkyrie, as these also have the power to hamper enemies in Norse mythology" and points to a connection with the valkyrie name Herfjötur Old Norse "army-fetter".
In addition, the place name Idisiaviso meaning "plain of the Idisi" where forces commanded by Arminius fought those commanded by Germanicus at the Battle of the Weser River in 16 AD.
Simek points to a connection between the name Idisiaviso , the role of the Idisi in one of the two Merseburg Incantations and valkyries. Jacob Grimm states that, though the norns and valkyries are similar in nature, there is a fundamental difference between the two.
The norns have to pronounce the fatum [fate], they sit on their chairs, or they roam through the country among mortals, fastening their threads.
Nowhere is it said that they ride. The valkyrs ride to war, decide the issues of fighting, and conduct the fallen to heaven; their riding is like that of heroes and gods".
Various theories have been proposed about the origins and development of the valkyries from Germanic paganism to later Norse mythology.
Rudolf Simek suggests valkyries were probably originally viewed as "demons of the dead to whom warriors slain on the battlefield belonged", and that a shift in interpretation of the valkyries may have occurred "when the concept of Valhalla changed from a battlefield to a warrior's paradise".
Simek says that this original concept was "superseded by the shield girls —Irish female warriors who lived on like the einherjar in Valhall.
Simek states that due to the shift of concept, the valkyries became popular figures in heroic poetry , and during this transition were stripped of their "demonic characteristics and became more human, and therefore become capable of falling in love with mortals [ MacLeod and Mees theorise that "the role of the corpse-choosing valkyries became increasingly confused in later Norse mythology with that of the Norns , the supernatural females responsible for determining human destiny [ Hilda Ellis Davidson says that, regarding valkyries, "evidently an elaborate literary picture has been built up by generations of poets and storytellers, in which several conceptions can be discerned.
We recognise something akin to Norns, spirits who decide destinies of men; to the seeresses , who could protect men in battle with their spells; to the powerful female guardian spirits attached to certain families, bringing luck to youth under their protection; even to certain women who armed themselves and fought like men, for whom there is some historical evidence from the regions round the Black Sea ".
She adds that there may also be a memory in this of a "priestess of the god of war, women who officiated at the sacrificial rites when captives were put to death after battle.
Davidson places emphasis on the fact that valkyrie literally means "chooser of the slain". She compares Wulfstan's mention of a "chooser of the slain" in his Sermo Lupi ad Anglos sermon, which appears among "a blacklist of sinners, witches and evildoers", to "all the other classes whom he [Wulfstan] mentions", and concludes as those "are human ones, it seems unlikely that he has introduced mythological figures as well.
Davidson says that "it would hardly be surprising if strange legends grew up about such women, who must have been kept apart from their kind due to their gruesome duties.
Since it was often decided by lot which prisoners should be killed, the idea that the god "chose" his victims, through the instrument of the priestesses, must have been a familiar one, apart from the obvious assumption that some were chosen to fall in war.
Näsström notes that, just like Odin, Freyja receives slain heroes who have died on the battlefield, and that her house is Sessrumnir which she translates as "filled with many seats" , a dwelling that Näsström posits likely fills the same function as Valhalla.
Näsström comments that "still, we must ask why there are two heroic paradises in the Old Norse view of afterlife. These examples indicate that Freyja was a war-goddess, and she even appears as a valkyrie, literally 'the one who chooses the slain'.
Valkyries have been the subjects of various poems, works of art and musical works. In poetry, valkyries appear in " Die Walküren " by H.
Heine appearing in Romanzero , , " Die Walküren " by H. Linge, and " Sköldmon " appearing in Gömda Land , Works of art depicting valkyries include Die Walküren sketch, by J.
Sandberg, Reitende Walküre fresco , previously located in Munich palace but now destroyed, —66 by M.
Welti, Walkürenritt woodcut , by T. Pixis, Walkürenritt by A. Becker reproduced in with the same title by A. Heyde , Die Walkyren charcoal , and Walkyren wählen und wecken die gefallenen Helden Einherier , um sie vom Schlachtfield nach Walhall zu geleiten painting, and Walkyrenschlacht oil painting, by K.
Ehrenberg, Walkürenritt oil painting, , and etching, by A. Welti, Walküre statue by H. Günther, Walkürenritt oil painting by H.
Hendrich, Walkürenritt painting by F. Leeke, Einherier painting, from around , by K. Dielitz, The Ride of the Valkyries painting, from around by J.
Kolb, and Valkyrier drawing, by E. From Wikipedia, the free encyclopedia. Figures in Norse mythology. For other uses, see Valkyrie disambiguation.
Main article: List of valkyrie names. Random House Webster's Unabridged Dictionary. Valkyrie name etymologies from Orchard — For Hariasa, Simek Nordic Academic Press.
The Prose Edda. Penguin Classics. Manchester University Press. Gods and Myths of Northern Europe. Penguin Books.
Oxford University Press. Brill Publishers. New York University Press. Volume I. London: George Bell and Sons. Hall, Alaric Elves in Anglo-Saxon England.
Boydell Press. Online:  Hollander, Lee Milton Forgotten Books. Heimskringla: History of the Kings of Norway. University of Texas Press.
Den Norsk-Islandske Skjaldedigtning. Rosenkilde og Bagger. The Poetic Edda. Oxford World's Classics.
Runic Amulets and Magic Objects. Museum Tusculanum Press. Heathen Gods in Old English Literature. Cambridge University Press.
Dictionary of Norse Myth and Legend. A Handbook of Germanic Etymology. Dictionary of Northern Mythology. Jansson — Sveriges runinskrifter: IX.
Upplands runinskrifter del 4. Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien. Death in Germanic paganism and mythology.
Draugr Einherjar. Bog body Hogback sculpture Stone ship Tumulus. Matres and Matronae Rebirth in Germanic paganism Soul etymology. Norse paganism and mythology.
Beck commits suicide and the ringleaders are executed by firing squad. A post-script displays the text of the German resistance memorial.
Patrick Wilson was originally cast in Valkyrie , but dropped out due to scheduling conflicts and other unspecified reasons.
Some of the non-German actors initially experimented with German accents, but Singer discarded the idea, instead instructing them to adopt neutral accents that "[wouldn't] distract from the story".
In , Christopher McQuarrie visited Berlin while researching another project and visited the memorial to von Stauffenberg at the Bendlerblock.
Researching the 20 July plot, he was moved and fascinated by the fact that the conspirators were fully aware of what would happen if they failed their assassination attempt, and he wanted to make their story more well-known.
He also sought to direct the film, until he realized that adequate financing would only be secured with Bryan Singer directing.
After Singer completed the three major productions X-Men , X2 and Superman Returns , he sought a smaller project before embarking upon the eventually aborted sequel to Superman Returns.
Shirer to gain deeper understanding of Nazi Germany's political landscape, and also met with one of Hitler's bodyguards, Rochus Misch ,  who was the last person to leave the bunker where Hitler committed suicide.
The creative team acknowledged the ambiguity over the enigmatic von Stauffenberg's true motivation, but Singer and McQuarrie judged him to be a man of ethics just from what he did.
Singer looked back on his decision, saying, "The true story had all the makings of a classic assassination thriller. I knew if I could keep the audience with [von] Stauffenberg, with his mission, they would go with the flow and be less inclined to start hypothesising on things from history.
McQuarrie suggested they bring the project to United Artists partners Paula Wagner and Tom Cruise , who immediately agreed to finance the film in March The film's English-language title was ultimately titled Valkyrie because Singer felt that the film was about more than the operation and liked its connection to Wagner's music.
Germany's Finance Ministry had originally denied the producers the right to film at Bendlerblock, explaining that the site should be treated as a "place of remembrance and mourning" which would "lose dignity if we were to exploit it as a film set".
The producers were also denied a request to film at a Berlin police station by the department, citing adverse impact to the facility. McQuarrie and Alexander researched first-hand accounts, photos, newsreels and texts.
They also examined Gestapo and SS records, as the organizations had been meticulous in reconstructing the events of the conspiracy in its aftermath.
A timeline of events was created, from which McQuarrie and Alexander shaped the script. After production began in Berlin, the writers were able to visit locations and meet with relatives of the conspirators; these meetings informed changes made to the script during filming.
The initial scenes of von Stauffenberg in Tunisia were written to provide historical context to the rest of the film. The scenes were written with the intention of communicating the complexity of the situation—including references to the Holocaust —without being too obvious.
The writers also wanted to evoke the spirit of the resistance and convey the ongoing disgust of the German officers. McQuarrie and Alexander found the most difficult task was in conveying the motives of the conspirators; von Stauffenberg especially remained an enigma, though the writers believed he and the other resistance members to be propelled by their moral outrage.
McQuarrie and Alexander attempted to include a scene of von Stauffenberg's witnessing an atrocity, but because he was a supply officer he had little exposure to many of those that occurred.
Though he witnessed some—such as the starvation of the Russians —they believed it difficult to dramatize von Stauffenberg's being compelled to action by "field reports".
They also had difficulties with Hitler's portrayal; in researching his speeches , they struggled to find one in which he made overtly villainous statements.
Filming began on July 18, , in Berlin. Production also involved World War II planes with swastikas painted on the sides, practicing in the airspace above Brandenburg.
Similar charges were filed against the owners of sites set up to show Nazi displays for the film's production.
Before filming the scene of von Stauffenberg's execution at Bendlerblock, Tom Cruise led the cast and crew in holding a moment of silence  "out of respect for the place and out of respect for the life achievement of these people who were executed there", according to actor Christian Berkel.
The wrong chemical was accidentally used in development, damaging the film and requiring the crew to seek permission from the government to re-shoot the scenes.
Permission was granted and a spokesman for the film indicated the schedule and budget had not been affected. Singer and cinematographer Newton Thomas Sigel chose different styles for the separate halves of the film.
Elegant camerawork such as cranes were used for the build-up to the attempt on Hitler's life, while the second half is frantic with handheld cinematography as the plotters are hunted down.
The colors in the film also become more intense as the story continues. Sigel focused on red, the color of the Nazi flag, which he felt represented the violence of their ideology.
Singer looked towards thrillers of the s and home movies shot by Eva Braun for inspiration. Shooting scenes at night was difficult because presenting the era accurately required blackouts.
Sigel noted that, in real life, car headlights were used for the firing squad to aim at and execute the plotters in the Bendlerblock.
The Tunisia battle sequence that opened the film was the last major sequence filmed. The filmmakers wanted to avoid the appearance that von Stauffenberg wanted to kill Hitler because of the injuries he suffered in the battle.
They began a rough cut in October and, between then and June , there were several test screenings without the battle sequence.
By June , the filmmakers felt that they knew how to adequately frame the characters when filming the battle sequence.
Singer instead used two P Warhawks in the battle sequence. The company's two key goals were to accurately portray von Stauffenberg's injuries and to create a period look to Berlin.
With many close-ups of von Stauffenberg's hand with missing fingers, the injuries were textured to look like actual scars, particularly based on surgical procedures from Cruise asked for advice on how to best move his hands so visual effects would be easier to apply, but some challenges, such as von Stauffenberg getting dressed on his own, were inescapable.
According to supervisor Richard R. Hoover , "We know from historical accounts that von Stauffenberg didn't stick his hands in his pockets to try and hide his injuries.
For the battle sequence in North Africa, two real Curtiss P Kittyhawks in Desert Air Force paint schemes were used, accompanied by cloned images of them or by computer-generated planes.
In scenes showing squadrons of soldiers, digital extras were not used; instead, photography of real squadrons was cloned. Sony Pictures Imageworks also digitally expanded details on stage locations and at practical locations.
The exterior of Hitler's Bavarian residence Berghof was digitally created, since little was left of the original structure, and the creation was superimposed on a shot of a ski area in Austria.
In Berlin itself, city officials helped reduce the need for visual effects by removing power poles and modern lighting over the weekend when filming took place and restoring the equipment by the start of the new week.
There was widespread questioning in some corners of the press as to whether, in order to make himself look more muscular and of ample girth, Cruise had employed butt pads during filming.
As with his previous collaborations with Bryan Singer on The Usual Suspects , Superman Returns and X2 , editor and composer John Ottman edited the film without a temp track , noting if the film was working well without music, it was becoming a strong product.
When the cut was test screened with an American audience, the title cards were removed due to complaints that there were too many characters to follow.
Ottman said the challenge on Valkyrie was to create tension from dialogue scenes, and he often reshaped scenes to do this: moments rather than whole scenes were cut from the film.
Ottman originally planned to compose a minimal score to Valkyrie , but found that despite the film's dialogue-heavy nature, the film needed music to create a thriller atmosphere.
Ottman described the new approach, "It's very much like Usual Suspects —in order to keep the tension going in a scene where there's really a lot of dialogue, we had to rely on a lot of score.
But the score is done in a very sort of pulsating, subliminal way. It's not an expository score, it's more like a running pulse going through the movie.
He had a specific theme he wanted for the film, which was more modern than " The Winds of War "-type score he expected Ottman to do. Ottman had to compose music for the North African battle before the scene was shot, because booking space to record film music is difficult.
Although he found that composing music based on the script results in overlong pieces, he felt the music worked out fine for the sequence.
The film's end credits piece, "They'll Remember You", is an original composition, but the lyrics were based on the poem " Wanderer's Nightsong " by German poet Johann Wolfgang von Goethe.
Ottman described the original version of the track as a "three minute drone that I slowed down with these two Tuvan throat singers , the whole thing was this horribly dark, morbid piece [which] left you cold".
Ottman composed a metallic motif for Hitler, which was formed by low strings and a piano cluster. In June , prior to production, a German Defence Ministry spokesperson said that filming of Valkyrie would not be allowed at the country's military sites if protagonist Colonel Claus von Stauffenberg was portrayed by Tom Cruise , due to the actor's adherence to Scientology , which is considered a dangerous cult by the German authorities.
The spokesperson further indicated that the ministry had not at that time received official filming requests from Valkyrie ' s producers. It's bound to be rubbish," he said.
The initial controversy reportedly stemmed from German member of parliament Antje Blumenthal, an authority on cults for the Christian Democratic Union and well-known opponent of Scientology, who had claimed that the German Defence Minister had assured her that the film would not be shot in the country.
The film subsequently found local support in Germany. Director Florian Henckel von Donnersmarck saw that Cruise's involvement would promote awareness of a neglected story,  and veteran German actor Armin Mueller-Stahl also gave his support to the production.
Schirrmacher visited the set and agreed that the film would advance global awareness of the German Resistance. Ultimately granting access to the Bendlerblock after reviewing the script, the Defence Ministry said it showed that "barbarism didn't triumph but led to the founding of a democratic Germany".
Ursula Caberta , who is in charge of a German government office which monitors Scientology, was disappointed in the ministry's decision, saying, "Tom Cruise [is] a figurehead of an anti-constitutional organization, and he should be treated that way.
A spokesperson for Scientology in Berlin, Sabine Weber, said in August that she was "shocked" by German politicians' criticisms, adding that it was a "call to discrimination" against someone based on their religious beliefs.
In November , the head of the German Resistance Memorial Centre warned against any potential "myth formation" around von Stauffenberg as a result of the film, urging that any understanding of the Colonel must also be informed by the fact that he had been loyal to the Nazi cause for most of his military career.
Klaus Berg of the Hamburg Chronicle noted that " It is a well-known cliche that American film makers prefer to provide their audiences with a happy ending.
Here, a viewer with even the most superficial and rudimentary knowledge of the history of the Second World War and of the National Socialist Regime would know from the very outset that a happy ending is out of the question, that all the protagonists' efforts and plans are doomed to end in bitter failure.
Knowing this, I was surprised to realize how deeply I was caught up in the tension of the plot, how desperately I was hoping against hope that Cruise and his fellows would after all succeed.
No, not for one minute during the entire film did I think about Scientology. Valkyrie was intended to be a high-profile film that would jump-start United Artists , the host studio partly owned by Tom Cruise and Paula Wagner.
In July , United Artists president of worldwide marketing Dennis Rice was replaced by Michael Vollman, who was tasked to develop a marketing strategy for the "troubled" Valkyrie ,  which had been "battered by constant media sniping".
As the December release date approached, United Artists launched a campaign to reform public perception of the film, downplaying the role of Tom Cruise as a German war hero and instead pitching Valkyrie as "a character-driven suspense thriller".
The poster was designed to have flashy graphics and to emulate the posters from the war films The Great Escape and The Dirty Dozen in having a team as a central visual.
An internal MGM memo reported the reception of the trailer by online communities to be "significantly favorable" compared to the previous trailer.
The film also tested the determination of its distributor Metro-Goldwyn-Mayer and the mettle of Cruise as a superstar.
Prior to Valkyrie ' s December release, concern was raised about how the film would be received in the holiday season due to its Nazi subject matter, along with related films The Boy in the Striped Pajamas , The Reader , Defiance and Good.
Advertising Age wrote during the economic crisis of , "The depressing state of the economy and an alarmingly low level of understanding of the Holocaust among American youth point to a tough road for such serious fare.
Dergarabedian also ascribed the better-than-expected performance to the studio's marketing of Valkyrie as a thriller film.
The film opened in 13 additional territories on the weekend of January 30, including Russia and Spain.
There were small anti-Scientology protests at the European premiere in Berlin, where Cruise signed one protester's Guy Fawkes mask. In Germany, authorities and politicians expressed concern that if the film was successful, it would boost Scientology in the country.
German politician Michael Brand encouraged his deputies to boycott Valkyrie , saying that Scientology pursued "totalitarian goals". Germany's Agency for the Protection of the Constitution BfV , which monitors the presence of Scientology in the country, expressed concern about the film's impact.
The film does both: it has put a top Scientologist at the center of a national debate about German history. Cruise had already left the show, when German comedian Michael Mittermeier said: "In an interview, Tom Cruise claimed that he would have killed Hitler, too.
To me, it would be sufficient if he had killed the Führer of Scientology. The site's critical consensus reads, "Given the subject matter, Valkyrie could have been an outstanding historical thriller, but settles for being a mildly entertaining, but disposable yarn.
The New York Times wrote, "It has been greeted with a measured and hospitable reception in Germany, where it was once viewed with suspicion.
Cruise's performance turns out to be brisk and reasonably plausible, though unexceptional, while the production as a whole succeeds as an elaborate procedural, impressively staged in historical locations.
Dargis also wrote of the director's excess, "Though Mr. Singer's old-fashioned movie habits, his attention to the gloss, gleam and glamour of the image, can be agreeably pleasurable, he tends to gild every lily," citing as an example the "spooky music" and "low camera angles" in the meeting between Hitler and von Stauffenberg.
But in its way it is a thoughtful and entertaining one, especially in comparison with the pomp and pretentiousness of most of the competition this holiday season.
This story deserves to be told, but for reasons best known to himself, the star has latched onto a strictly Nietzschean interpretation that he rides into the ground.
She felt that the film started slowly and that "even during scenes of intense action, the visually slick production is only minimally engrossing".
She concluded of the film's overall pace, "The action becomes more engrossing during the film's second half, but one expects more depth and nuance, given its pedigree.
Todd McCarthy of Variety wrote that Valkyrie "has visual splendor galore, but is a cold work lacking in the requisite tension and suspense".
McCarthy considered Cruise as "a bit stiff but still adequate" as von Stauffenberg. The critic believed that McQuarrie's script was well-carpentered but felt that compressing and streamlining the events to make a known failed plot more thrilling lacked a "sufficient sizzle into the dialogue or individuality into the characters".
McCarthy missed "many of the interesting personal and political nuances pertaining to these men" that were not detailed.
He thought that the production design by Lilly Kilvert and Patrick Lumb stood out, that Newton Thomas Sigel's cinematography had a "restrained elegance", and that John Ottman performed well in his dual role as editor and composer.
But neither is there anything about him that truly suggests Claus von Stauffenberg, leader of the conspiracy to decapitate the Nazi government and stage a coup d'etat.
Think of Valkyrie as a reasonably entertaining drama about the time Tom Cruise tried to kill Hitler. Do that, and it becomes possible to enjoy the movie.
Despite differences over the quality of the film, critics were in agreement that the film had drawn attention to von Stauffenberg's cause.
Tobias Kniebe of the Süddeutsche Zeitung described the film as "maybe not the masterpiece we might have dreamed of Neither is it the action thriller we feared, but it is a well-made and serious film.
Other critics thought that Tom Cruise did not "make the grade" as a German war hero. The film critic for Der Tagesspiegel wrote, "[Cruise's] image as an actor has been finally ruined by Valkyrie But Stauffenberg was a German hero, with aristocratic bearing, and Cruise cannot carry that off.
The Gestapo investigated the 20 July plot thoroughly, so filmmakers had access to much documentation as they integrated the historical account with "Hollywood factors" in producing Valkyrie.
Hoffmann spoke of the film's accuracy, "[ Valkyrie ] gives a fundamentally accurate portrait of Stauffenberg and the conspirators.
There are details which must be counted as liberties. But, fundamentally, the film is decent, respectful and represents the spirit of the conspiracy.
But the basic facts are all present and correct. While von Stauffenberg listens to Richard Wagner 's " Ride of the Valkyries " in the film, in reality the colonel hated Wagner.
He explained the removals, "There were things I actually left out because I knew people would think we were making them up Goerdeler was written in the film to be antagonistic, dramatically representing the friction and conflict that existed within the conspiracy, though filmmakers considered him a "much more moral character" in reality.
One significant historical alteration, made to avoid confusion with the audience and also to "set the stage" at the Wolf's Lair, was changing the location of the first aborted assassination attempt to kill Hitler on July British novelist Justin Cartwright , who wrote the book The Song Before It Is Sung about one of the plot's conspirators, wrote, "The film is true to most of the facts of the plot, but fails to convey any sense of the catastrophic moral and political vortex into which Germans were being drawn.
The film also did not explore von Stauffenberg's philosophy and background, which Cartwright felt fit the German tradition of Dichter und Helden "poets and heroes".
Cartwright described how von Stauffenberg was an appropriate leader for the plot: "He was the man who unmistakably wore the mantle of a near-mystic German past, a warrior Germany, a noble Germany, a poetic Germany, a Germany of myth and longing.
Cartwright also noted that the film did not raise the question of what kind of Germany von Stauffenberg had in mind if the plot succeeded.
He was implicated in the plot and was later forced to commit suicide although he refused participation.
From Wikipedia, the free encyclopedia. Theatrical release poster. MGM Distribution Co. United States 20th Century Fox International.
United States Germany . Stauffenberg played an important role in the military resistance against the Nazi regime and in the [German military's] self-perception A sincere and respectable depiction of the events of the 20th of July and of Stauffenberg is therefore very much in Germany's interest.
Tom Cruise, with his Scientology background, is not the right person for this. Some of the family have spoken out because they don't think it will do the story justice and others don't think the casting is ideal, but I totally disagree, especially after I met Tom and saw how he is approaching the role with such professionalism.
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